Posts tonen met het label spaghetty town records. Alle posts tonen
Posts tonen met het label spaghetty town records. Alle posts tonen

zaterdag 31 augustus 2019

The Sweet Things




If ever there was a Rolling Stones and New York Dolls love child, it would be The Sweet Things.

This is one of those rare instances that I found a new place at the right time. Right around when they started teasing the recording of their first album. With about 5 songs released on Spotify, I played the shit out of them for months, hungry for more. 

First thing I listened to was the Slather/Dustianne release. From the guitars to the handclaps to the organs by Rob Clores to the awesome guest vocals by Liza Colby, the boogie in the drum & bass and the instantly recognizable vocals of Dave Tierney, I couldn’t believe how complete these songs sounded! This is rock n’ roll at its best.

But what did I know? I hadn’t heard first single Love to Leave yet! Again I was blown away by the sheer brilliance of the Sweet Things. You can actually hear the smoke and whiskey on this song, like the classic 70’s bands before they either started to suck or got old. There’s pure joy dripping of this record. If whiskey and smoke wasn’t enough, there’s cocaine to be found on footstompin’ b-side Cocaine Asslicker Blues. 

Then in May this year debut album In Borrowed Shoes, On Borrowed Time was released. As far as debut albums go, this is one of the best ever in my opinion. There’s not one weak song or moment to be found here. 

When opening track Liquor Lighting starts you know you’re in for a good time, baby. The clinging of bottles and Chuck Berry-esque guitars sits you down and prepares you for the ride of a lifetime. Dead or Worse has a lot of things going on and it’s perfectly arranged. The harmonica, slide guitar and organs make for an instant classic rock n’ roll song that wouldn’t feel misplaced on Exile on Main Street.

Title track In Borrowed Shoes, On Borrowed Time slows things down for a bit. A melancholy blues ballad to listen to while you cry into your Jack Daniel’s at your local watering hole. The beautiful horns here and on other songs are provided by legendary The Uptown Horns (The Rolling Stones & Robert Plant are among the names on their resumé).

The party pick up again with Almost Faded, a dirty rocker 

Dr. Crazy Girl takes you to a whole new world of cool, if you thought only the Dolls could pull this off, you thought wrong. Heavy use of wah pedals over a tight as fuck backbeat and a 60’s doowhop backing choir added for extra flavor, and speaking of the Dolls, the spirit of Johnny Thunders is alive and well on the guitar solo here.

They keep up the booze-fueled rock n’ roll goodness with Drained, Coke’n (featured on my first Mixtape) the epic Through the Cracks of the City and the cocksure snotty Fix to Kick. 

The record closes with the melancholy masterpiece that is Feed My Dog. Not only does Feed My Dog feature guest vocals by Alejandro Escovedo, the arrangements here are spot on, harps, slide guitars and organs are all perfectly placed. This song will make a Hell’s Angel cry.

Long story short, The Sweet Things is one of the best band around these days and everyone should keep a close eye on them as they will soar to unprecedented heights in the coming years and records. 

Buy their records here.

Listen to In Borrowed Shoes, On Borrowed Time on Spotify:



vrijdag 9 augustus 2019

I love Criminal Kids




Whoever said punk is dead clearly never heard these guys from Chicago. 

Criminal Kids say they play punk rock “With nasty riffs and an attitude problem”, and I found out that they ain’t lyin’. Last year they released their first E.P. on Spaghetty Town Records (USA) & God's Candy Records (Canada).

The self-titled release is a blast. Imagine Bryan Johnson era AC/DC on speed with a bit of Circle Jerks added for extra flavor, these tracks are tight, fast and need to be played at outrageously high volumes.

They went for quality over quantity on this disc, as it’s just over a quarter of an hour long. It’s fine though because for 16 minutes Criminal Kids take you out of your own boring little life and lets you free-fall through a wall of guitar violence, screaming vocals, pounding drums and a rumble of high speed bass lines. If you think it’s too short you can easily leave it on repeat for a while because I’ve been doing it for the past 2 hours or so and I haven’t got bored of it yet. 

I love the L.A.M.F. inspired spray-paint letters on the cover, I love the high energy rock n’ roll inside, I love the Criminal Kids.

Criminal Kids are: Ryan - Guitar/Vocals, Mike Van Kley - Guitar, Chris - Bass/Vocals, Anthony - Drums

Buy their E.P. here.
Listen on Spotify:


zondag 28 juli 2019

ShouldaWouldaCoulda #1 - Dr. Boogie

Photo: Jeremy White

To kick things off I want to write about one of the previously mentioned bands that quit before I had ever heard about them. 

The first song I heard hit me like a freight train and I instantly fell head over heels for this band. Fast & loose guitar riffs with a rhythm section tight and full of swagger, raspy vocals delivered with attitude & conviction. Hand claps, horns & honky tonk piano added for extra flavor, these guys played pure rock n’ roll.

Dr. Boogie was founded in L.A. in 2014 & released their first E.P. the same year. The self titled release consist of 3 sizzling hot tracks that wouldn’t seem misplaced on a Faces record. 

The next year saw the release of their first, and sadly only, full length record “Gotta Get Back to New York City” through Dead Beat Records. Opening with the title track, a blast of guitar violence & a chorus so infectious you can’t help wanting to yell along until your vocal-chords bleed. There’s not a dull moment on this record, every single song delivers down n’ dirty rock n’ roll in the vein of the Faces & New York Dolls.

Dr. Boogie released a couple more great singles after the album, “She’s So Tuff”, “Peanut Butter Blues” through Spaghetty Town Records, and most recently “Bad Situation/I Need a Gun” in 2018. Three months later they announced the band had quit.

This is one of those bands that would’ve been huge if only they were around a couple of decades ago. Dr. Boogie delivered quality devil-may-care rawk. I hope to find out when these guys have new bands going.

Get their records: https://shop.dead-beat-records.com/collections/dr-boogie

Gotta Get Back to New York City on Spotify: